![]() ![]() This is where your finance application is processed. You can then choose which finance term you'd like to apply for, and change your deposit if you wish.Īt the end of the checkout you'll be taken to the V12 Finance web site. Go through the checkout process and tick the "Finance" option under "Select Your Payment Method". It's simple! Just add the products you want to your basket and click the "Checkout" button in your basket. Accessories: Certificate of Authenticity, 8x10 photograph signed by legendary photographer Mick Rock (known as "The Man Who Shot the '70s"), a Johnny Winter slide from Jim Dunlop, and four Johnny Winter/Gibson Custom picks from Jim Dunlop.Controls: 2 Volume, 2 Tone, 500K CTS Potentiometers, Hand-Wired Harness.Control Knobs: True Historic Black Top Hats with Silver Inserts.Tailpiece: Chrome-Plated Aluminium Stop Bar.Neck Profile: Authentic '64 Medium C-Shape.Neck Material: 9-Ply Mahogany/Walnut Neck-Through.Body Material: 9-Ply Mahogany/Walnut Neck-Through.Case & Candy - High-quality Gibson hardshell case perfectly protects this exquisite Custom Shop creation, with a certificate of authenticity, Jim Dunlop Johnny Winter slide & various extras included inside!.Deluxe Banjo Tuners - What Firebirds are known for! Allow for precise string pitching and complement the elegant headstock design.Easily-adjustable and maximises string vibration transference through the body. No-Wire ABR-1 Bridge - Legendary Gibson 'Tune-O-Matic' design.Gibson Firebird Alnico 5 Pickups - Punchy mini humbuckers allow you to cut through the mix with ease delivering tight lows, barking mid-range and vibrant highs.Indian Rosewood Fingerboard - Smooth and silky material, featuring a comfortable 12" radius and 22 reissue frets.Authentic '64 Neck Shape - 'Medium C' profile provides superb comfort and a real "time capsule" feel.Neck-Through Construction - Yields the thick and sustain-rich sound that Gibson Firebirds are coveted for.Murphy Lab Finish - Artificially-aged nitro finish gives the guitar a played-in look and feel just like a real '64 Firebird!.Similarly, a refret devalues the collectibility of a vintage instrument even though it improves the functionality. The world of collectors is not necessarily logical - a not-so-great relic job done by Gibson commands a premium (see the Hendrix SG mentioned in the Trogly video) whereas a high-quality relic job refinish done by someone other than Gibson devalues the instrument even where the latter is much more “authentic”. Originality and authenticity are the order of the day even though this is a recreation of a well-played, partly modified unpristine original example. Playability, functionality and sound are secondary considerations. I’d imagine most of these are destined for collectors, as such the majority of players are not the target market. I have a 2013 Firebird which is a sufficient nod to one of my all-time heroes, but none of them will make me play or sound like him. It should also be more affordable (but perhaps not now!)Įither way, I wouldn't spend that sort of money on either. He was associated with it (in my eyes anyway) far more than the white one, which I seem to remember Johnny said he acquired as a bit of a puff-piece as it was in-yer-face. I find The Trogly more than a little irritating, but he got this spot on - if you really must have a JW replica/signature, go for the sunburst that was issued a few years back. and here with what looks like a LPGT with Janis: One of my all-time favourite guitarists, and just to prove someone else's point that he played plenty of other guitars, here he is jamming with some bloke on bass he bumped into one evening. Half way through the set he swapped it out for that famous sunburst 'Bird and the music just came alive, and so did Johnny. ![]() He came on stage with that truly vile Erlewine he'd started favouring strung around his neck. I saw JW in the late '80s in London (I think at The Grand but not too sure). I still have loads of his albums (many on vinyl) and aside from his own illustrious career, he effectively re-invented that of Muddy Waters by producing and playing on Hard Again, gaining Waters a Grammy (plus two more besides). I think JW may be somewhat underrated these days, you hear very little about him. I have one of his first albums and always believed he was playing one of the student model Fenders back then. ![]()
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